ISEA2015

Digital games are so pervasive that they increasingly shape how people ascribe meaning to their world; in short, games are now culture. Similarly to music, literature, television, fashion and film, games as culture constitute "networks of meaningness which individuals and groups use to make sense of and communicate with one another" (Stuart Hall). Games expand the ways that we image our own possibilities, create empathetic connection, and seed ethical engagement with lived-world challenges and problems. Recent games 'culture wars', notably, GamerGate definitively confirmed that games traffic in the politics of representation, just as any other form of mass media. This panel examines the social functions of playable media as powerful forms of visual culture and ideological world making, especially as they relate to notions of difference.

This panel welcomes contributions in critical games research that model intersectional approaches foregrounding the politics of representation, and signifying practices of video games as new media and visual culture. Essays that consider the playability of specific games in relation to their signifying practices are of particular interest. Possible themes may include: representations of race, nation, class; issues of gender/sexuality; games and Diaspora/creolization; close textual analyses using critical studies and/or other disruptive and interdisciplinary approaches.